Key Points

  • The “Showrunner” platform lets users craft entire episodes using text prompts or image uploads, enabling sharing on sites like YouTube.
  • Company head Edward Saatchi revealed to Decrypt that they’re in discussion with media companies to create specialized AI models for pre-existing fictional universes.
  • The venture-backed start-up has funding from Amazon’s Alexa Fund, though the details of the investment have not been disclosed.

An innovative AI-driven streaming service, supported by Amazon’s Alexa Fund, is now available. This platform empowers users to produce animated content swiftly, sparking debates about consumer demand for this novel form of storytelling.

Fable, established in 2018 by Edward Saatchi and the late Pete Billington, following their contributions to Oculus Studio, is pioneering user-driven narrative entertainment. They are merging artificial intelligence, virtual reality, and skilled storytelling techniques.

Pete Billington, an Emmy-winning director, was instrumental in shaping interactive media with works such as The Wolves in the Walls, a VR adaptation of Neil Gaiman’s creation. He sadly passed away in March, shortly before the unveiling of Showrunner, their main user-generated animation tool.

Through the platform, users can input a text description or upload an image, and the system instantly generates animated episodes complete with voices and customizable characters. Current shows include Exit Valley, a satire of Silicon Valley reminiscent of Family Guy, and Ikeworld, a whimsical romantic comedy unfolding in an IKEA setting.

One of the biggest challenges of generative entertainment lies in securing intellectual property rights, particularly with studios hesitant to relinquish creative control to users.

In a conversation with Decrypt, Saatchi suggested a solution: constructing specialized AI models that reflect the distinctive qualities and consistency of the original content.

“Regarding established IPs, we are exploring collaborations with studios to build models around their universes,” explained Saatchi. “Using Star Wars as an example, individuals could pay to generate their own episodes, scenes, and narratives using the model. Disney would receive a share of the revenue, and the terms would specify that Disney owns all user-generated content.”

A New Frontier for Art

Despite embracing partnerships, Saatchi is aware of the inherent risks.

In a previous interview with Variety, he discussed the uncertainties surrounding the public’s desire to actively participate in storytelling.

“It’s possible that no one wants this, and it won’t succeed,” Saatchi admitted. “We’ve encountered false starts before. VR was projected to become massive once headset sales surpassed a million. That didn’t happen.”

Saatchi openly expresses this tension.

He views Showrunner as a step toward collaborative media creation, while clearly differentiating between AI-generated content from simple text prompts and deeply crafted narratives.

Instead of just enabling users to generate anything they want with AI, Saatchi told Decrypt that their platform aims to provide “a compelling, interactive storyworld created with the care and dedication of artists.”

Saatchi contends that AI video tools have been primarily seen as production enhancers, “widely adopted in Hollywood to accelerate VFX work.” However, with Showrunner, he believes generative content represents “a fundamentally new artistic approach.”

The platform’s initial testing phase attracted 10,000 users, and the waiting list has grown to exceed 100,000, according to the company. Fable plans to keep the viewing experience free while introducing a subscription model for creators, priced between $10 and $20 monthly, to provide access to credits for generating numerous scenes. Users are able to export and distribute content on platforms like YouTube.

A representative of Amazon informed Decrypt that the investment originated from its Alexa Fund, a venture capital source devoted to voice technology, artificial intelligence, hardware, and entertainment innovation. The representative emphasized that this investment was “not from Amazon overall” and was focused on the company, not a specific product.


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